Rioja winemaking
![]() Presentation ![]() Quality Factors ![]() Viticulture ![]() Fermentation ![]() Ageing The History of the Oak
Concerning oak and casks
The cutting of oak and its influence on wine
Scorching staves
Classification of Rioja wines
First year evolution
Second year evolution
The following years
Polyphenols
Diseases in Rioja wines
![]() Wine in the bottle ![]() Wine tasting and analysis ![]() Short history of La Rioja Alta, S.A ![]() |
Scorching staves
Scorching staves in order to curve them is an important operation, but is seldom considered in enology. This scorching is not restricted merely to changes in surface colour but also, from what we have observed, affects a 50-cm length of the inside face of the stave and a thickness of 2 mm. Despite the elasticity created by the heat, the stave acquires folds (under the effect of the curving strain), which can leave cavities 1-2 mm below the surface with a length of up to 5 mm and a maximum gap of one millimetre. On the scorched face the strain of curving may also create exfoliations in the direction of the grain. It is also quite logical to think that the change would be important with the heating of the vegetable elements causing a change in the anatomy. Folds and hollows are created which make the subsequent asepsis of the wood difficult. So scorching implies a change in the texture of the oak which is in contact with the wine as well as an alteration in its elements through heating that may affect the quantity and quality of any transfer from the oak to the wine. Experimental contribution
We kept Rioja white wines in contact with split staves of oak, some scorched normally and others scorched and planed in the burnt zone until the oak was clean. One month later the wines underwent a study based on various parameters. Colour change
The white wine which was kept in contact with the scorched oak intensified in colour.
Colour increases when the wine is in contact with scorched staves, but no increase of tannin is evident, so there is no harshness of taste. Alteration of wine residuesAfter the casks are emptied they are aired for two days and then washed with two litres of water. This water is later used to determine possible oxydisation of the wine in the wood. In scorched staves the level is 0.1 gm/l. and in clean ones 0.28 gm/l. demonstrating that scorching provides more resistance to residual wine. Taste with scorched oakThis test was carried out in a laboratory, using oak samples of 10 x 5 x 2 cm, scorching them laterally and filling them with Rioja red wine of the 1985 vintage to a volume of 500 cc, hermetically sealed and tasted after ten days:
In summary it is very interesting to have found the reason for the taste of "arpillera" in certain wines. We have occasionally found a taste definable as "arpillera", even "grasa" in some wines. The reason is an excess scorching of the oak in new casks. Inter-relations between air, oak and wine.Our knowledge of these inter-relations is as yet imperfect. We can give them a structure based on studies carried out by various researchers and by ourselves. The oak is a barrier between wine and air.
For example, with sawn staves all these functions would be intense but with split staves they would be attenuated. Preservation variables
The role of alcoholAlcohol in wine acts in the following ways:
This elagic acid released by oak into the wine helps prevent the existence of microbes. Colour retentionThe retention of anthocyanins of red wine in different types of wood has been studied with their subsequent removal through liquid.
This demonstrates that new sawn oak extracts the red colour from a red wine but the majority of this can later be removed from the wood by washing with water. |
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